Showing posts with label Media. Show all posts
Showing posts with label Media. Show all posts

Sunday, April 30, 2017

The New Yorker on the toilet

For years my interest in The New Yorker magazine was limited to the cartoons.  Good cartoons.  I would read the magazine from back to front, stopping only for the comics.


The New Yorker features profiles, extended articles about interesting accomplished people.  I remember reading only two over many years, both of people I actually knew - first Nicolas Slonimsky and then Esa-Pekka Salonen.

Instead of magazines, mostly I read novels or histories, some of which I wrote about on this very blog.  Magazines didn't much interest me.  Magazines were for toilet reading.  I subscribed to gobs of computer magazines, back when computers were new.  Wired Magazine lasted the longest - eventually it got just too silly.

Then I purchased an iPad, a first generation Mini, on the day it was released in November, 2012.  I'm still amazed by how much this little hand-held slab of glass and metal can do.  It truly is the stuff of science fiction.  I expected it to change my life in any number of ways.

It's fair to say that the Mini changed my reading habits.  That's all, not much else.  I stopped reading novels and histories and started reading an endless thrum of online news and feature articles.  I like the iPad Mini because it fit in my pants pocket.  It even made it possible for me to feel bad about myself while scrolling through Facebook at Starbucks instead of only at home.

I devised one essential rule for using the little mini.  I'd promised myself that I'd never read it on the toilet.  So far, more than four years later, the promise remains kept.


Meanwhile, I noticed something important.  The news articles and opinion pieces and badly disguised-as-commentary advertising coming at me through the Internet were an endless rush of awful writing.  It was tiring.  It was often inaccurate as well.  Today, in the era of obvious fake news, it can be downright odious.

Then I discovered The New Yorker online.  I subscribed to a daily newsletter with links to articles, a few subtle ads and a daily cartoon.  I looked forward to the links for a entire week's worth of cartoons.  I "liked" New Yorker Cartoons on Facebook.  I started following the weekly caption contest.  The captions suggested by readers are never, ever as funny as ones provided by the magazine so I stopped following.

And one more thing - the writing was good.

Part and parcel of subscribing to the newsletter was giving them my postal address, so soon enough I was receiving offers to subscribe to The New Yorker.  At first I could resist easily.  Then I started thinking "I really should subscribe."

Finally, at the end of last year I took the bait: ridiculously low price for a subscription of 50 issues, plus a useless tote bag and $10 off on my next Amazon order.  It didn't hurt that the magazine had taken a strong editorial stance against the winner of the last Presidential election.  You know how I feel about him.

I've read that The New Yorker has more subscribers in California than it does in New York.  I just fact-checked that - it's 2004 data.  I wonder if it's still true.  I suppose part of the "allure" of The New Yorker for non-New Yorkers is keeping tabs on what's happening in Gotham.  I wouldn't live there for a billion dollars but it's as close to a center of actual culture you can find this side of Europe.  If there were a magazine that personifies Los Angeles I doubt it would be known for intelligent good writing.


Within a few weeks paper copies began appearing in my mail box.   It wasn't long before they started piling up in the toilet.  I now open them from the front.

I've read articles I never would have clicked on - just recently a profile of some author I'd never heard of (and whose name I can't remember) and of Jack White (while I have heard of him I've never heard his music.)  (A few other articles I enjoyed are linked below.)

I skip event listings and most reviews - especially restaurant reviews especially on the toilet.  And there's plenty of other reading in the house than I could take into the toilet with me - we get two newspapers every day.  And, once a month we get Funny Times, highly recommended toilet reading if you like cartoons, News of the Weird or old Dave Barry columns.

In the months since I subscribed I've read enough New Yorker articles to notice style quirks.  Why, I wonder, is the drink called a martini always capitalized.  Why do they spell it reĆ«valuate instead of re-evaluate.   A real Californian would not do that.

Mostly, however, I notice the consistency of the writing.  I ask myself whether I could ever write that well.  The answer, before your eyes at this very moment, is obviously no.  Let's face it, even if I had things to say or stories to tell, not in a million years would I reach that level of quality.

I suppose I should thank The New Yorker for how quickly I came to that revelation.  It took me decades to recognize the maddening limits of my musical talent.




A Hundred Days of Trump by David Remnick
America's Most Political Food by Lauren Collins
Learning Arabic from Egypt's Revolution by Peter Hessler
The I.O.U., a previously unpublished story by F. Scott Fitzgerald
The Lost City of Z by David Grann
Trial by Fire by David Grann

In 2007 I blogged about the New Yorker profile of Esa-Pekka Salonen.  The post was called The New Yorker and the Hero Composer in Los Angeles.   Here's the final paragraph:
Finally, once Alex Ross finished his New Yorker article he wrote this in his blog: "You L.A. people are lucky." Yeah, probably so. But I'd like to suggest that he withhold judgment until he spends some time here during the months of August and September. That's when the sun burns your skin and the smog burns your eyes and the programming with fireworks at the only live classical music venue in town burns your soul.

Tuesday, February 15, 2011

Milton Babbitt and the Super Bowl

A couple weeks ago, in the middle of the night, I flipped on the kitchen television to one of those overnight news shows. I found no news. Instead the anchors were picking their personal favorites in the Super Bowl.

At that moment I heard a little voice in my head. "You should write a blog post about Milton Babbitt and the Super Bowl."  Babbitt had passed away only a few days earlier.

"But," I replied, "Babbitt has nothing whatsoever to do with professional football."

"Not my problem," it countered.  I called it several unpleasant names - but the voice had already left my head.

That's how I got stuck trying to compare America's premier professor of serial music composition and America's premier professional football championship holiday.  It's my brain's fault.  Such an essay is uphill work because the intersection of the sets of properties of Babbitt's music and Super Bowl games is null.  (Babbitt would understand.  He was a brainy guy.)


I reread "Who Cares If You Listen", Babbitt's 1958 editor-titled essay in High Fidelity Magazine.  He lamented the lack of contextual background which listeners brought to serious contemporary music:
The time has passed when the normally well-educated man without special preparation could understand the most advanced work in, for example, mathematics, philosophy, and physics.  Advanced music, to the extent that it reflects the knowledge and originality of the informed composer, scarcely can be expected to appear more intelligible than these arts and sciences to the person whose musical education usually has been even less extensive than his background in other fields.
To Babbitt, writing music was highly technical and highly theoretical.  He thought that such research would lead to future musical benefits for all.  Theory and composition-wise that certainly never happened, although the miniature descendants of the room-sized synthesizer which Babbitt used in the fifties have since turned music on its head.


Babbitt concludes his essay with a reference to the "is classical music dead?" debate:
Granting to music the position accorded other arts and sciences promises the sole substantial means of survival for the music I have been describing.  Admittedly, if this music is not supported, the whistling repertory of the man in the street will be little affected, the concert-going activity of the conspicuous consumer of musical culture will be little disturbed.  But music will cease to evolve, and, in that important sense, will cease to live. (italics added)
Here's some of Milton Babbitt's music to listen to as you read about the Super Bowl.



The Super Bowl is a battle in abstract.  Two teams of armored warriors engage in ritual medieval combat while attempting to adjust the geo-position of an oviform leather ball to their own advantage. There are many ways in which the Super Bowl is different than Milton Babbitt's music.
  • Milton Babbitt's music does not need a half time show.  Nor is there a cuisine (e.g. pizza, wings, chips and guacamole) associated with it.
  • Babbitt's music receives little, if any, attention.  Super Bowl Sunday has become an important all-American celebration of capitalist sports. 
  • Babbitt's music is not widely known.  The Super Bowl has millions of fans. 
  • Babbitt's music is highly intellectual.  The brainiest aspect to the Super Bowl is probably chronic traumatic encephalopathy.   That's the progressive damage done to the brains of players who are constantly bashing into one another with great force.  This very violence is one of the reasons people like football. 
  • Babbitt used higher mathematics in the composition of his music.  Mathematically, a Super Bowl fan must be able to add four numbers and decide whether the total is greater than ten.  Extra credit is given to fans who can remember the rules for Roman numerals.  This year was Super Bowl XLV.
  • Listening to Babbitt's music requires intense concentration.  Watching football does not require much attention span at all.  The plays are short and there is plenty of time in between for commentators to explain what happened - just in case you missed something.
  • Babbitt's music has little commercial value.  Corporations spend millions of dollars for a few seconds of Super Bowl air time to sell their products. 
Here's a television ad extolling four men who have attended every Super Bowl.  These men are no less the heroes of Super Bowl than the players on the field.  They are the conspicuous consumers of Super Bowl culture.  Other people are envious of them.   The ad announces a contest for a lifetime of free Super Bowl tickets given to one lucky winner.   I must have missed the competition to win free tickets to Milton Babbitt concerts for life.


Naturally I listened to some of Milton Babbitt's music before writing this.  I was struck by a certain nineteen fifties feeling of his pieces, sort of like giant audible Jackson Pollock paintings.  Overall, his abstraction is pure and his attention to technique is overarching.   On a micro level each event, each note, each drip becomes its own world, like a tiny atom whizzing through vast emptiness.   I strained (and failed) to hear connections.  What's more, his notes never combine to create emotion or excitement or drama, the very things I feel music is good at.  Maybe someone with better ears or more nimble brain can fathom Babbitt's music. 

I also watched some of the Super Bowl broadcast.  Football, like any sport, is goal oriented activity.  The goal is winning and the drive towards that goal represents great drama.   We can pick a side to cheer for and personally share in outcome.  The competition and violence become easy metaphors for much of real life.  These are amplified by the media until the whole event is larger than life.  The Super Bowl is geared to producing emotion, excitement and drama - and little else.

Milton Babbitt and the Super Bowl are opposites on any spectrum.  I guess the one thing they have in common is my personal failure to understand either one.  I find them both empty experiences.  I scratch my head because I see that other people seem to get pleasure from them.  I bet there are even certain people who love both Babbitt and the Super Bowl.  Why didn't the voice in my head visit them instead?   Those people should have written this article.



Here's a one-hour movie entitled Babbitt: Portrait of a Serial Composer by Robert Hilferty, completed by Laura Karpman. If you're interested in the life and personality of this highly intelligent, academic, uncompromising artist, I highly recommend watching.  This was more fascinating for me than listening to Babbitt's music directly.


It also reminded me of the one time I met Milton Babbitt.   In the very early seventies I was an undergraduate at Carleton who had only recently decided to take a chance at a career in composition. He and I had a brief private discussion during which he was not particularly discouraging.  He gave a lecture to the assembled music students and faculty - many of whom attended out of politeness more than interest. 

I remember suggesting that he was a professor at Columbia (rather than Princeton) because I knew of him mostly through recordings from the Columbia Princeton Electronic Music Center. He seemed a bit annoyed at my confusion between the two schools.   This movie also reminded me just how quickly he could talk.

About 52 minutes into the movie a young woman makes this comment:
My brain is stimulated by Milton Babbitt's music and my heart is touched by the freeing of my mind, which is a different way to have one's heart touched than usual.  And in that way I find his music extraordinary and unique.
What a beautiful sentiment.  I wonder what she'd have to say about the Super Bowl.



ADDENDUM: okay, here's one way in which serial music composition and professional football are alike: they're both activities of interest principally to men.

Milton Bowl Tags: . . . . . . . . .

Sunday, March 07, 2010

In which David dreams of an Oscar Filter

It's hard to miss that tonight is the Oscars. It's the movie industry's own very public popularity contest to crown its newest royalty. Only movie industry insiders get to vote of course. Why should anyone else care who wins a contest like this?

In a retail store do you pay any attention to who was chosen Employee of the Month? When you see a car with a bumper sticker announcing "My child was student of the month at Whatever School" do you honk and wave excitedly?  Nope.  These are insider contests which have nothing to do with you.

You, I'm pretty much certain, are not a member of the Academy of Motion Picture Arts and Sciences. Nor do you know anyone who is. Do you really care what they think? Apparently many people do.  Probably not my three readers, however.

This made-up awards event gets SO much press coverage.  Why should that be?  My theory is that Oscar season is really Payback season for American media. Motion picture advertising must be a large chunk of  newspaper and television income. Running puff pieces designed to stir up interest in this "contest" is a small price to insure the studios keep buying those big double page ads. Hardly anyone else does lately.

Tens of millions of people tune in to watch the Oscars - to root for their favorite teams, er movies. Just like during the Superbowl viewer eyeballs are sold to companies with products to push. A 30 second spot on the Oscar telecast is selling for $1,500,000 this year.  That's  $50K per Second - enough to hire an out-of-work person for a full year. 

All those television ads, all those extra movie tickets sold to the winning pictures, all that income generated - it's money in someones pocket.  It would be futile to suggest that we simply quit doing it because the result is so hopelessly fake.  There'd be nothing left of American culture if the fake stuff got removed from the media.  Sitcoms? Wrestling? Cop shows? Roller Derby? Every other awards show?  Beauty pageants? Political Conventions?  Do we have a great country, or what?



I, however, would prefer not to watch or read about the Oscars.  To that end I have this request: Can Capitalism provide me with an Oscar Filter?  After all, I have a spam filter on my email and an ad blocker on my web browser.  Why can't some clever person invent a circuit that causes interference on my television every time there is report from the red carpet.  This ought to be easy in an era of digital television broadcasts.  I'd be willing to pay.  It would be more difficult to deliver my newspapers with all the Oscar articles clipped out already - or maybe just obliterated by more red ink.  But if newspapers could develop the ability to individualize their news, they might just have a bit more of a future.

End of Rant

(Read my 2008 Oscar Rant: In Which the Ocker Goes To Me)


Fake Tags: . . . . . .

Saturday, September 16, 2006

Blank Wall 2

My suggestion that we could reduce suicide bombings in the Middle East by trying to convert potential bombers to fundamentalist Mormonism is one of Mixed Meters most metrically mixed moments. By changing religion they could enjoy their virgins before they die instead of after. Here's the entire post "The Power of Commercials, The Supply of Virgins" (Since then Warren Jeffs has been captured - without a shootout.)

The product of the downtown L.A. film "shoot" I mentioned is now online. You can watch the Anti-Suicide Bombing Commercial here. The explosion isn't a great special effect.. Maybe a more realistic looking one would placate more bombers.

Meanwhile Iraqis are sending commercials our way also. Would you believe I saw a TV commercial promoting Kurdistan, the Other Iraq. (Do they have nice beaches in Kurdistan?)


Tag Along:

Thursday, July 06, 2006

30 Second Spots - What Would Barbie Sing?

click here to hear What Would Barbie Sing?

It's a song in the format: verse, chorus, verse, chorus. Not like me at all to do that.



Copyright © July 3-7, 2006 by David Ocker - 53 seconds

Leslie suggested the words to the chorus.



What Would Barbie Sing?
(verse)
I'm Barbie.
I'm Barbie
What would I sing for you?
(chorus)
Math is hard.
(verse)
I'm sexy
And plastic,
And Christian through and through.
(chorus)
Math is hard.
Math is hard.

No, the vocals are not on this track. Do a good Barbie voice? Feel free to overdub and send it in.

WWBS? was inspired by this recent article in the Los Angeles Times. It tells about advertising composer Tena Clark (a resident of Pasadena California) as she works to create the perfect musical signature for Mattel's little dollie Barbie. It's called a Sonic Brand. No, not like they do to cattle, I hope.

Since L.A.Times articles disappear after a while, here are some quotes that made me laugh and shudder:

Would Barbie be three notes, or four? Would they cascade up or down?

"Someday a little girl will walk through a store with her parents, and she'll faintly hear a few notes, and will turn to her dad and say, 'I want a Barbie doll,' "

If Barbie were a song, what would she sound like?

... research on how the brain processes music made a case for why three- or four-note songs could sell millions of plastic dolls or hamburgers.

Procter & Gamble Co. has experimented with in-store motion sensors that play the Charmin toilet tissue jingle when shoppers pass by its shelves. Companies are working sonic brands into in-store music and other background sounds.


I can only remember ever writing one other actual song in my life. That was back in college. I'm pretty sure the music is forever lost, but I remember most of the words. Here they are:

The Musician's Alphabet

Alban Berg
Claude Debussy
Edwin Franko Goldman
Henricus Isaac
Jerome Kern
Leopold Mozart
Nicolai, Otto
Porter, Quincy
Richard Strauss
That's as much as I remember. I'm pretty sure Vladimir Ussachevsky didn't get included. Anyone know a composer with just one name beginning with T. Or with initials W.X., X.W., Y.Z. or Z.Y. ? (Each name in the lyrics links to Wikipedia.)

Video -a Gloria Estefan trailer (What? I'm a sucker for her album Mi Tierra . Tradicion, the song on this video, inspired a piece of mine called Two Minute Warning. It was the last piece I ever wrote for live performance. You can ignore the video on this video.)

Barbie has appeared in a previous Mixed Meters post. That one also includes advertising and religious subject matter. Virgins and Suicide. Click here.

Explanation of 30 second spots

30 Second Spots
Media
Religion
Advertising

Friday, May 19, 2006

The Power of Commercials; The Supply of Virgins

'900 Frames' and EFXFilms Provide Hollywood Production Tactics in Fight Against Suicide Bombings in the Middle East - the announcer was on KPCC FM Pasadena - Simon Tyszko’s Suicide Bomber BarbieMy local NPR radio outlet announcer warned me not to be alarmed if I noticed a suicide bombing in progress this weekend in downtown Los Angeles. It would just be a realistic recreation of a suicide bombing intended for an Iraqi anti-bombing commercial. Here's a news article.

"That's not gonna work," I thought. "The best way to dissuade a suicide bomber is to give the guy a job with a future."




Or maybe find him a religion which promises virgins before he dies, not after.

But I like watching good commercials. And I like watching explosions. So I really want to see this when it's finished.

In our culture you can get people to change their attitudes or change their votes or spend their money foolishly by repeatedly showing them commercials.

Who would ever think a tv commercial could stop a fanatic in Iraq from blowing himself up?

Only someone who fanatically believes the "free-market" can solve any problem.


Israel Kamakawiwoole Somewhere Over the Rainbow Maybe we should be showing Iraqis things like this. It's a commercial from Europe for "Lynx". (They sell the same crud in the US under a different name with different commercials.)

It's really a very sweet and well-told one minute story. Apparently it's too sexy for Americans. Imagine what the Iraqis would think. (Leslie likes the music. Click here if you agree with her.)

Maybe they could stop suicide bombings by running ads in the Middle East announcing that you stand a better chance of getting yourself a virgin by becoming a fundamentalist Mormon.


If the Da Vinci Code movie annoys the believers, I'm for itThe supply of virgins is a big issue in parts of Utah. According to this article in the LA Times, Warren Jeffs (who might be in Texas following in the footsteps of David Koresh) is the head of a religion which "believes that men need a minimum of three wives to be granted complete salvation." I'm pretty sure they insist that all brides be virginal.


More videos.

Virgins must advertise. Here's a gay friendly tv ad (or is it?). Here's one in a mental hospital.

Not everything can be "virgin" but some things are just like it.

Non-sequitur: Trying to lose weight? Here's a video to help ruin your appetite.

Read 'bout Suicide Bomber Barbie by Simon Tyszko here.

Media
Religion
Music Video

Friday, December 30, 2005

In which the Irate Crime TV Show Host Gets a Face and a Name

Have you seen this woman? Her name is Nancy Grace. Please keep her off the television.

This story begins with my 30 Second Spot: Outlawing Irate Crime TV Show Hosts

I had to wait in my local bank yesterday afternoon. They have a large television tuned to CNN. Just my luck it was showing the same program that inspired the title of that Spot.

Her show is SO awful.: a combination of all the worst elements of network news, food-fight talk shows, tabloids and America's Most Wanted. Trial-by-media, assumed guilt, floods of innuendo and hurricanes of heart-rending human hopelessness. And this Nancy Grace is the ringleader.

Our legal system has enough trouble as it is without this sort of sensationalist interfering crap. Makes me wish we subscribed to cable television so I could not watch this all the time.

Media

Sunday, December 25, 2005

30 Second Spots - Outlawing Irate Crime TV Show Hosts

A Picture of David & Leslie watching Televisionclick here to hear Outlawing Irate Crime TV Show Hosts This was written in a hospital waiting room while sitting directly under a television tuned to CNN. The title is my reaction to the sickening host (thankfully I don't know her name) who was doing "true crime" stories about Missing White Women. She had helpfully convicted all the suspects for us in advance.

Copyright © December 6, 2005 by David Ocker - 34 seconds

Explanation of 30 second spots

30 Second Spots

Saturday, December 24, 2005

In which Creationism and Evolution Overlap

25% of Turnips Believe in Intelligent DesignMy local newspaper (The Pasadena Star News) had an AP article today about how science museums are (or aren't) responding to the onslaught of creationism and Intelligent Design. At the bottom of the column were results from a Sept. 8-11 Gallup Poll:

58% of people believe Creationism is definitely or probably true. 55% of people believe Evolution is definitely or probably true.

Assuming the maximum margin of error of 3%, it seems to me that 7% of the sample believe equally in Creationism and Evolution. Since those ideas can't BOTH be true (trust me on that), I suggest we believe one of the following:

1) Some people answer polls without thinking.
2) Some people are happy holding contradictory opinions.
3) The Gallup poll writes confusing questions.
4) Newspaper editors can't add.

I couldn't find raw Gallup data online, but the Baptist News seems happy with the results. (They mention the same numbers, but as part of an August poll, at the bottom of this article.)

Religion
Media
Pictures of Plants

Sunday, October 23, 2005

In which Doctor Phil has a big head

This is Leslie with Doctor Phil's head. She thinks it's a silly picture. (She's correct.)

Years ago I heard a lecture by Ram Dass who asked the question "How many personalities in popular culture, as revealed by People Magazine, do you experience as being fulfilled individuals?"

My immediate answer was none of them. Every pop idol, movie star, news anchor seems hung up somehow.

"Is Dr. Phil an exception?" He gives out serious personal advice all the time so his personal act must be together, right? But he must have issues about something. Can a person give out heavy advice to others day after day without developing some insecurities of his own?

National publicity has to make it worse. Imagine going to a movie and seeing your own head, twice life size & back lit, on the way to the parking garage. Imagine a picture of Dr. Phil himself standing next to Dr. Phil's head.

Maybe I just project my own insecurities on the blank canvass of famous people? No. That can't possibly explain Tom Cruise.


Media

Monday, September 26, 2005

In which David links to writers he respects

Some new links in the Sidebar: websites of journalists I try to read regularly. I don't always agree with them, but fundamentally they are coming from the correct direction. (Which means coming from the opposite of the Right.)

  • Molly Ivins - a Texan with the expertise to compare GW's shenanigans in Washington with those he pulled in Austin . Think of her as the un-Anne Coulter.


  • Robert Fisk - America has many decades of Middle East errors ahead of us before we can match our history to the British. Fisk tells the story in a very personal way.


  • Robert Scheer - I know his voice from KCRW's Left, Right & Center. A 60's leftie still true to his beliefs.

Politics

Media

Friday, September 23, 2005

In which David collects random thoughts

The recent Jet Blue landing (with the front gear sideways) was the perfect media event. Fatalities were avoided and the media had plenty of time to set up. Anyone who's ever flown could relate to the terror.

A Peace March against the Iraq war? I'm pleased an anti-war movement has formed even without a draft. But I think withdrawal will cause more problems for US in the long run than suffering through. We're stuck over there. (Hey, and I still call myself a liberal).

Millions of dollars made by rock tours this year: Stones, U2, Eagles, Paul of the Beatles. People are willing to pay big bucks to hear their old "friends". Exactly the same reason people go to classical music concerts.

I'm a luddite. I tried a high-tech disposable 3-blade razor for almost a year. But I'm back to my tried-and-true double-edge safety razor - used it since I was a teenager. It's cheaper, less wasteful and gets my face lots smoother. Slightly more nicks. (3 blades is old hat. They have 4 and 5 blade ones now.)

Last disc in the player: Tango Fusion Club - Electronic Tango Beats, Vol.1


Media
Politics